Steep a critically acclaimed horror novel in the hot water of James Wan’s production company Atomic Monster, you’re going to get something interesting. Add the honey of a showrunner who understands gripping characterization from working on shows like Yellowstone and Chicago Fire, and that brew gets strong. You have to pour it into a show called Teacup, and it has to be served on a streaming service that keeps looking to make a name for itself in horror.
TEACUP — “Think About the Bubbles” Episode 101 — Pictured: (l-r) Caleb Dolden as Arlo Chenoweth, Yvonne Strahovski as Maggie Chenoweth— (Photo by: Daniel McFadden/PEACOCK)
TEACUP — “Think About the Bubbles” Episode 101 — Pictured: (l-r) Adelina Anthony, Caleb Dolden as Arlo Chenoweth– (Photo by: Mark Hill/Peacock)
TEACUP — “Think About the Bubbles” Episode 101 — Pictured: (l-r) Caleb Dolden as Arlo Chenoweth, Yvonne Strahovski as Maggie Chenoweth, Emilie Bierre as Meryl Chenoweth, Scott Speedman as James Chenoweth — (Photo by: Mark Hill/Peacock)
On October 10, Peacock will begin streaming Teacup, 2 half-hour episodes a week for 4 weeks. We don’t call shows like this “mini-series” anymore, but that’s what this is. And it looks creepy. With actors such as Yvonne Strahoski and Kathy Baker aboard, it’s also likely to grab your attention. Described as “… a disparate group of people in rural Georgia who must come together in the face of a mysterious threat in order to survive,” Teacup takes inspiration from Robert McCammon’s 2011 novel Stinger. Reading synopses of both makes it sound like McCammon’s DNA carried over, but not necessarily the main plot.
Showrunner and executive producer Ian McCulloch had this to offer:
When Atomic Monster first approached me about creating a series adaptation of Robert McCammon’s Stinger—a no-holds-barred, gargantuan spectacle of a novel along the lines of The Stand, Independence Day and Mars Attacks—to be honest, I didn’t want to throw my hat in the ring. I’m not a spectacle writer. I’m a less-is-more writer. I gravitate more toward what are known as keyhole epics. Large stories told through small lenses. Think Signs, The Thing, A Quiet Place.
TEACUP — “Think About the Bubbles” Episode 101 — Pictured: (l-r) Luciano Leroux as Nicholas Shanley, Emilie Bierre as Meryl Chenoweth— (Photo by: Mark Hill/Peacock)
TEACUP — “My Little Lighthouse” Episode 102 — Pictured: Yvonne Strahovski as Maggie Chenoweth — (Photo by: Mark Hill/Peacock)
TEACUP — “My Little Lighthouse” Episode 102 — Pictured: Rob Morgan as Orson McNab– (Photo by: Mark Hill/Peacock)
But here’s the thing. I read Stinger and it stayed with me. Wouldn’t leave me alone. I just couldn’t stop thinking about its razor-sharp premise, how it unfolds over the course of a single harrowing day, and about the relatable and real family McCammon puts center stage. That’s when the flash bang-light bulb idea hit…
What if I adapted Stinger in a way that honors the book and stays true to the kinds of stories I like to tell? Keep the conceit. Keep Stinger’s most effective elements. Take away the large ensemble. Take away the giant set pieces. Even take away the book’s crowded town setting. The adaptation would be like an acoustic guitar version of, say, a Radiohead song. It won’t have the production value, electronic instruments, loops, or synthesized bells and whistles but it will still have the melody, the structure, the lyrics, the real magic at the core, all the stuff that makes a great song a great song.
All of which is to say I could suddenly see exactly what to do and how to do it. Two weeks later, Atomic Monster had the script for the first episode. Soon after that, Peacock bought it. Not so long after that, both my creative and career dreams actually started coming true as more scripts were written, hires made, actors cast, sets built, and production began…
TEACUP — “My Little Lighthouse” Episode 102 — Pictured: Kathy Baker as Ellen Chenoweth– (Photo by: Daniel McFadden/PEACOCK)
TEACUP — “Quite For No Reason” Episode 103 — Pictured: (l-r) Chaske Spencer as Ruben Shanley, Scott Speedman as James Chenoweth — (Photo by: Mark Hill/PEACOCK)
TEACUP — “You Don’t Know What It Means To Win” Episode 106 — Pictured: (l-r) Luciano Leroux as Nicholas Shanley, Chaske Spencer as Ruben Shanley, Diany Rodriguez as Valeria Shanley — (Photo by: Mark Hill/PEACOCK)
Of course, during production the series changed and evolved. Just as it should. Even the title’s different. Stinger is now Teacup. The reasons for this are too spoilery to share but watch the first few episodes and all will be revealed. Point being, the series is now very much its own thing: a puzzle-box mystery, an edge-of-your-seat thriller, a can’t-but-must look horror story, a family drama, a science fiction epic—of the keyhole variety, of course. But as singular, strange, and surprising as I hope Teacup is, all you need to do is peel away the layers, characters, situations, and mythology and look behind the thrills, chills, hairpin turns and make-you gasp reveals. Do all that and you’ll see, at its heart, Teacup is still very much standing on the shoulders of Stinger. Just as it should.
Atomic Monster head James Wan added:
After reading Robert McCammon’s book Stinger, the entire team at Atomic Monster felt a spark. The story had all the ingredients for a captivating series and Ian McCulloch had a vision to bring it to life in a fresh way that was both startling and darkly atmospheric, but filled with a rich sense of humanity — often lacking in edgy narratives. Add in our incredibly talented cast led by Yvonne Strahovski, Scott Speedman and Chaske Spencer and fans are in for a true edge-of-your-seat experience.
Teacup defies easy labels. It’s a genre-bending blend of horror, mystery, and drama, with layers that unfold like a captivating puzzle. It goes beyond chills and thrills and holds up a mirror to humanity, exploring the darkness that resides within us all. We hope you enjoy this wild ride as much as we’ve loved creating it!
The announcement teaser doesn’t offer much in terms of what the show is about, but it’s an effective hook.
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In addition to running Fanboy Planet, Derek has contributed stories to Arcana Comics (The Greatest American Hero) and Monsterverse Comics (Bela Lugosi's Tales from the Grave). He has performed with ComedySportz, City Lights Theater Company and Silicon Valley Shakespeare, though relocated to Hollywood to... work in an office? If you ever played Eric's Ultimate Solitaire on the Macintosh, it was Derek's voice as The Weasel that urged you to play longer. You can buy his book "I Was Flesh Gordon" on the Amazon link at the right. Email him at [email protected].
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