Cinequest 2018: Tommy Battles The Silver Sea Dragon

Tommy Silver faces a judge, jury, prosecution, and defense that are all shards of himself. On trial for his personal trauma, it seems impossible that he can win the case. Why? Because in the courtrooms of our own minds, the system is corrupt. But as an audience to Tommy’s guilt, we can’t look away because the choreography is so good.

Choreography?

Yes, Tommy Battles the Silver Sea Dragon isn’t just a psychological drama, it’s a rock opera. Written, directed, composed, and starring Luke Shirock, this film is one of the most ambitious pieces you can see at this year’s Cinequest. Clearly a personal film, though not drawn from Shirock’s life, it’s at turns dark, giddy, romantic, and thought-provoking.

Tommy blames himself for the childhood death of his brother and by extension, his mother. The crimes have piled up. But all is not as it seems. Once the prosecutor (David Andrew McDonald) introduces his central piece of evidence – a floor-sized apparent suicide note from Tommy’s girlfriend Carolyn (Celine Held) — we flash back to Tommy’s high school days and the moment he first fell in love.

The couple flirt, they fall for each other, and then reality sets in. Except this is all set to a lush score, so reality still has an aura of unreality. Shirock has directed with a sense of whimsy, even when he’s covering the dissolution of a relationship. Though Tommy sings his inner feelings, it’s also clear that the undeserved guilt he carries has blinded him to what those feelings are.

And then there’s a sequence that will stick with me a while. It’s a musical set piece that has even more resonance in today’s climate than it must have when Shirock shot it. Though this film may not have meant to do it, Shirock has contributed a small segment to the #MeToo movement. Excellently staged, the number that starts on an elevated train is threatening, unsettling, and yet almost a throwback to West Side Story.

But this isn’t a classic musical; as I said, it’s more of a rock opera. Despite his title, Shirock does not see [amazon text=The Who’s Tommy&asin=B00GGW0E0C] as an influence. Stylistically, it owes a bit to [amazon text=The Wall&asin=B079GP2YMM], and musically, there’s DNA from Queen and (at least in my mind) Richard O’Brien’s [amazon text=Shock Treatment&asin=B000G6BLGK]. McDonald’s prosecutor occasionally delivers his lyrics hearkening back to the Moody Blues’ “[amazon text=Painted Smile/Veteran Cosmic Rocker&asin=B000001F5Y].”

As a protagonist, Tommy isn’t easy to love. But Shirock is easy to admire, and Tommy Battles the Silver Sea Dragon is a surprisingly assured debut feature.

Runtime: 111 minutes
Rating: Not Rated (likely soft R)
Genre: Musical Drama
Writer/Director/Composer: Luke Shirock
Producer: Michael Angelo Zervos

Cast
Luke Shirock
Celine Held
David Andrew Macdonald
Michael Kostroff
Alison Fraser

Showings:

Century 20 Redwood City – Screen 3 Sun, Mar 4 9:20 PM

Hammer Theatre SJ Thu, Mar 8 9:25 PM

Century 20 Redwood City – Screen 18 Sun, Mar 11 3:00 PM

Buy Tickets

It’s film festival season again! Cinequest 2018 starts on February 27 and runs through March 11th, so if you’re in the San Jose / San Francisco Bay Area you might check out the films and events for this year. And watch Fanboy Planet for upcoming reviews and podcasts from the Planet’s crew.

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About Derek McCaw 2503 Articles
In addition to running Fanboy Planet, Derek has written for ActionAce, Daily Radar, Once Upon A Dime, and The Wave. He has contributed stories to Arcana Comics (The Greatest American Hero) and Monsterverse Comics (Bela Lugosi's Tales from the Grave). He has performed with ComedySportz and Silicon Valley Shakespeare, though relocated to Hollywood to... work in an office? If you ever played Eric's Ultimate Solitaire on the Macintosh, it was Derek's voice as The Weasel that urged you to play longer. You can buy his book "I Was Flesh Gordon" on the Amazon link at the right. Email him at [email protected].